Prompt
Description
For each uploaded photograph, generate one separate vertical 2:3 art poster. One photograph must correspond to one individual poster. Do not create collages, combine images, or produce a collection layout. The canvas must be divided into two equal halves, with each section occupying exactly 50% of the total height. Create a clear, clean, perfectly straight horizontal dividing line. 1. TOP HALF — ORIGINAL PHOTOGRAPH Use the corresponding original photograph directly in the upper half. Preserve its sharp, realistic photographic quality, original color relationships, and natural lighting. Only allow subtle, intelligent cropping around the outer edges when necessary, without compromising the integrity of the main subject. If required by the layout, naturally extend a small amount of the surrounding environment. Do not redraw, turn the photograph into an illustration, stretch, blur, or alter the subject's structure or spatial relationships. Do not introduce black borders, white margins, or empty edges. 2. BOTTOM HALF — EDITORIAL ILLUSTRATION Use a warm, near-white ivory paper background with an extremely subtle paper texture. Analyze the core story of the original photograph. Prioritize extracting only one primary subject, retaining one or two essential identifying elements. Remove or heavily simplify all secondary content, including background architecture, crowds, vehicles, fences, signs, trees, and other nonessential elements. Transform the subject into a sophisticated black-ink editorial illustration: Use natural, clean pen strokes with varied line weight. Preserve a hand-drawn quality. Avoid overly precise engraving aesthetics. Avoid excessive internal details and dense cross-hatching. Place a large, nearly pure-black rectangular ink block behind the illustrated subject. Its edges should have a subtle handmade print quality. The black background should retain only a fine paper grain and minimal noise. Do not introduce obvious hatching, scratches, architectural lines, or complex textures. Illustration Scale and Composition The illustrated subject should occupy approximately 72–77% of the canvas width. The subject should occupy approximately 58–64% of the bottom section's height. Maintain a clear visual focal point. Preserve generous negative space around the illustration. 3. COLOR RULES The bottom illustration should default to a strictly black-and-white palette. Only preserve a single accent color on the relevant subject or a localized area when the original photograph contains a clearly distinctive, concentrated color element with a meaningful narrative purpose. Ordinary blue skies, green vegetation, stone surfaces, skin tones, and environmental colors do not qualify as accent colors. Any color must remain strictly localized. Never allow the accent color to spread across the entire illustration. 4. TYPOGRAPHY AND LAYOUT — AUTOMATICALLY GENERATED ENGLISH TEXT Automatically generate concise English typography based on the photograph's content. The overall style should resemble handwritten editorial annotations in an independent art publication. Top-left corner: A handwritten title consisting of 2–5 words, arranged across two lines. Directly beneath the title, add three short English action verbs. Top-right corner: Display only two lines of geographic coordinates: latitude and longitude. Do not include any additional text. Bottom-left corner: Display the city name followed by the word "DIARY." Add one short line of descriptive English text beneath it. Typography Requirements Use a rough, upright, slightly irregular handwritten typeface with a subtle sense of imperfection and an editorial annotation aesthetic. Avoid elegant cursive, calligraphy, and overly decorative handwritten fonts. 5. FINAL VISUAL DIRECTION The overall aesthetic should combine: Authentic photography. Minimalist black-and-white editorial illustration. Generous negative space. Independent art publication aesthetics. A quiet, restrained, sophisticated artistic sensibility. The final poster should feel like a carefully designed collectible art print, balancing documentary realism in the upper half with expressive, hand-drawn editorial artwork in the lower half. 6. OUTPUT REQUIREMENTS High-resolution image. Vertical 2:3 aspect ratio. Exactly 50% original photography on top and 50% editorial illustration on the bottom. One independent poster per uploaded photograph. No collages, no combined images, and no multi-poster layouts. Maintain consistent art direction across all posters while adapting the illustration, English text, city name, and geographic coordinates to each photograph.
The Prompt
For each uploaded photograph, generate one separate vertical 2:3 art poster. One photograph must correspond to one individual poster. Do not create collages, combine images, or produce a collection layout. The canvas must be divided into two equal halves, with each section occupying exactly 50% of the total height. Create a clear, clean, perfectly straight horizontal dividing line. 1. TOP HALF — ORIGINAL PHOTOGRAPH Use the corresponding original photograph directly in the upper half. Preserve its sharp, realistic photographic quality, original color relationships, and natural lighting. Only allow subtle, intelligent cropping around the outer edges when necessary, without compromising the integrity of the main subject. If required by the layout, naturally extend a small amount of the surrounding environment. Do not redraw, turn the photograph into an illustration, stretch, blur, or alter the subject's structure or spatial relationships. Do not introduce black borders, white margins, or empty edges. 2. BOTTOM HALF — EDITORIAL ILLUSTRATION Use a warm, near-white ivory paper background with an extremely subtle paper texture. Analyze the core story of the original photograph. Prioritize extracting only one primary subject, retaining one or two essential identifying elements. Remove or heavily simplify all secondary content, including background architecture, crowds, vehicles, fences, signs, trees, and other nonessential elements. Transform the subject into a sophisticated black-ink editorial illustration: Use natural, clean pen strokes with varied line weight. Preserve a hand-drawn quality. Avoid overly precise engraving aesthetics. Avoid excessive internal details and dense cross-hatching. Place a large, nearly pure-black rectangular ink block behind the illustrated subject. Its edges should have a subtle handmade print quality. The black background should retain only a fine paper grain and minimal noise. Do not introduce obvious hatching, scratches, architectural lines, or complex textures. Illustration Scale and Composition The illustrated subject should occupy approximately 72–77% of the canvas width. The subject should occupy approximately 58–64% of the bottom section's height. Maintain a clear visual focal point. Preserve generous negative space around the illustration. 3. COLOR RULES The bottom illustration should default to a strictly black-and-white palette. Only preserve a single accent color on the relevant subject or a localized area when the original photograph contains a clearly distinctive, concentrated color element with a meaningful narrative purpose. Ordinary blue skies, green vegetation, stone surfaces, skin tones, and environmental colors do not qualify as accent colors. Any color must remain strictly localized. Never allow the accent color to spread across the entire illustration. 4. TYPOGRAPHY AND LAYOUT — AUTOMATICALLY GENERATED ENGLISH TEXT Automatically generate concise English typography based on the photograph's content. The overall style should resemble handwritten editorial annotations in an independent art publication. Top-left corner: A handwritten title consisting of 2–5 words, arranged across two lines. Directly beneath the title, add three short English action verbs. Top-right corner: Display only two lines of geographic coordinates: latitude and longitude. Do not include any additional text. Bottom-left corner: Display the city name followed by the word "DIARY." Add one short line of descriptive English text beneath it. Typography Requirements Use a rough, upright, slightly irregular handwritten typeface with a subtle sense of imperfection and an editorial annotation aesthetic. Avoid elegant cursive, calligraphy, and overly decorative handwritten fonts. 5. FINAL VISUAL DIRECTION The overall aesthetic should combine: Authentic photography. Minimalist black-and-white editorial illustration. Generous negative space. Independent art publication aesthetics. A quiet, restrained, sophisticated artistic sensibility. The final poster should feel like a carefully designed collectible art print, balancing documentary realism in the upper half with expressive, hand-drawn editorial artwork in the lower half. 6. OUTPUT REQUIREMENTS High-resolution image. Vertical 2:3 aspect ratio. Exactly 50% original photography on top and 50% editorial illustration on the bottom. One independent poster per uploaded photograph. No collages, no combined images, and no multi-poster layouts. Maintain consistent art direction across all posters while adapting the illustration, English text, city name, and geographic coordinates to each photograph.